Timbres, espace, mouvement (1978, revised 1991) can be counted as Dutilleux's best orchestral composition, at once rooted in tradition yet persistently sceptical about conventional 'symphonic' values. It's a tricky score to bring off, and Tortelier is successful in negotiating its twists and turns of form. In the Violin Concerto (1985) Tortelier again favours a symphonic approach, and very effective it is too, with a soloist who's authoritative without being overly
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The disc also includes Dutilleux's orchestral arrangement of his Cassou settings, and also his orchestration, made in 1944, of Jehan Alain's touching prayer. Well-characterised contributions from Martyn Hill and Neal Davies complete this valuable release.
No digital booklet included Hide