DISC 1
Messiah, HWV 56, Pt. 1
1. Part I: Symphony: Grave
2. Part I: Accompagnato: Comfort ye my people (Tenor)
3. Part I: Aria: Ev'ry valley shall be exalted (Tenor)
4. Part I: And the glory of the Lord (Chorus)
5. Part I: Accompagnato: Thus saith the Lord (Bass)
6. Part I: Aria: But who may abide the day of his coming (Alto)
7. Part I: And he shall purify the sons of Levi (Chorus)
8. Part I: Behold, a virgin shall conceive (Alto)
9. Part I: Aria: O thou that tellest good tidings to Zion (Alto, Chorus)
10. Part I: Accompagnato: For behold, darkness shall cover the earth (Bass)
11. Part I: Aria: The people that walked in darkness have seen a great light (Bass)
12. Part I: For unto us a child is born (Chorus)
13. Part I: Pifa (Pastoral Symphony): Larghetto
14. Part I: Recitative: There were shepards abiding in the field (Soprano)
15. Part I: Accompagnato: And lo, the angel of the Lord came upon them (Soprano)
16. Part I: Recitative: And the angel said unto them (Soprano)
17. Part I: Accompagnato: And suddenly there was with the angel (Soprano)
18. Part I: Glory to God in the highest (Chorus)
19. Part I: Aria: Rejoice greatly, O daughter of Zion (Soprano)
20. Part I: Recitative: Then shall the eyes of the blind be open'd (Alto)
21. Part I: Aria: He shall feed his flock (Soprano, Alto)
22. Part I: His yoke is easy (Chorus)
Messiah, HWV 56, Pt. 2
23. Part II: Behold, The Lamb of God (Chorus)
24. Part II: Aria: He was despised and rejected of men (Alto)
25. Part II: Surely, he hath borne our griefs and carried our sorrows (Chorus)
26. Part II: And with his stripes we are healed (Chorus)
27. Part II: All we like sheep (Chorus)
28. Part II: Accompagnato: All they that see him (Tenor)
29. Part II: He trusted in God (Chorus)
30. Part II: Accompagnato: Thy rebuke hath broken his heart (Tenor)
31. Part II: Arioso: Behold, and see if there be any sorrow (Tenor)
32. Part II: Accompagnato: He was cut off (Tenor)
33. Part II: Aria: But thou didst not leave his soul in hell (Tenor)
34. Part II: Lift up your heads (Chorus)
35. Part II: Recitative: Unto which of the angels said he at any time (Tenor)
36. Part II: Let all the angels of God worship him (Chorus)
37. Part II: Aria: Thou art gone up on high (Alto)
38. Part II: The Lord gave the word (Chorus)
39. Part II: Aria: How beautiful are the feet (Soprano)
40. Part II: Their sound is gone out into all lands (Chorus)
41. Part II: Aria: Why do the nations so furiously rage together (Bass)
42. Part II: Let us break their bonds asunder (Chorus)
43. Part II: Recitative: He that dwelleth in heaven (Tenor)
44. Part II: Thou shalt break them with a rod of iron (Tenor)
45. Part II: Hallelujah (Chorus)
DISC 2
Messiah, HWV 56, Pt. 3
46. Part III: Aria: I know that my Redeemer liveth (Soprano)
47. Part III: Since by man came death (Chorus)
48. Part III: Accompagnato: Behold, I tell you a mystery (Bass)
49. Part III: Aria: The trumpet shall sound (Bass)
50. Part III: Recitative: Then shall be brought to pass (Alto)
51. Part III: Duet: O death, where is thy sting (Alto, Tenor)
52. Part III: But thanks be to God (Chorus)
53. Part III: Aria: If God be for us (Soprano)
54. Part III: Worthy is the Lamb that was slain (Chorus)
55. Part III: Amen (Chorus)
DISC 3
Wege zur Musik - Georg Friedrich Händel - Der Messias
56. Teil 1, "Händels Kompositionsprozess": Kreativer Rausch und Schaffenskrise
57. Teil 1, "Händels Kompositionsprozess": Tonarten als Symbole
58. Teil 1, "Händels Kompositionsprozess": Von der Erfindung zur Partitur
59. Teil 1, "Händels Kompositionsprozess": Das Verhältnis von Wort zu Ton
60. Teil 1, "Händels Kompositionsprozess": Orchesterklang und Parodie - Diebstahl in eigener Sache
61. Teil 2, "Wohltätigkeit und gute Taten": Die Uraufführung in Dublins Fishamble Street
62. Teil 2, "Wohltätigkeit und gute Taten": Arien und Affekte
63. Teil 2, "Wohltätigkeit und gute Taten": Musik als Klangmalerei
64. Teil 2, "Wohltätigkeit und gute Taten": Ein Oratorium als geistliches Musiktheater
65. Teil 2, "Wohltätigkeit und gute Taten": Enttäuschung und Erfolge
66. Teil 3, "Text, Politik und Theologie": Oratorien im Überfluss
67. Teil 3, "Text, Politik und Theologie": Gottes Wort im Opernhaus
68. Teil 3, "Text, Politik und Theologie": Sacred words - Das Libretto als Bibelcollage
69. Teil 3, "Text, Politik und Theologie": Glaube und Politik
70. Teil 3, "Text, Politik und Theologie": Äussere Form und dogmatischer Inhalt
71. Teil 3, "Text, Politik und Theologie": Anglikanisches Erbe: Die Liturgie des Book of Common Prayer

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