24 FLAC Discount
These two ballets reveal a specific facet of Stravinsky’s genius, his skill in pastiche. Having used music from eighteenth-century Naples for Pulcinella, he turned to Tchaikovsky for Le Baiser de la fée.
On both occasions, he succeeded in transforming the exercise of homage into a highly personal work.
Stravinsky had a special artistic affinity with the Toronto Symphony Orchestra, which amply repays the debt with this new recording.
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