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What do I remember from this recording? Well, that there was an incredibly sweet oboist girl in the Rheinland-Pfalz Orchestra, that Leif Segerstam was in his best mood and that we had to time every take to start just after the tramway had left the stop just outside the hall. It was funny, the whole orchestra waiting for the tram to start, and then: 10-9-8 etc and start take 214 or whatever in the break until the next one came. Gradually we moved the recording periods into the evening, because the trams went less frequently then... Good humour during recording and one can hear that in the music-making. RvB

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