Brahm's violin concerto in D was written one year after the composer's second symphony, in the same pleasant surrounding, and the two works have something of the same serenity, especially in their first movements. The violin concerto possesses a stronger undercurrent of aggressiveness and does not allow the more lyrical moods to play so freely. The writing of the soloist, though of great difficulty, is closely woven inte the general textures and there are several obvious parallels with the first movement of Beethoven's violin concerto, notably the first entry of the solo violin, the opening of the development and the very serene passage that follows the cadenza. 'Spontaneous and refreshing performances' (Classic CD). Outstanding: Fono Forum.