Composer: Siepmann, Jeremy, Beethoven, Ludwig van Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country 51:46
01 On Beethoven's Openings 01:26 $ 0.14 USD
02 Opening phrase of the 'Pastoral': ood, Symbolism and Musical Function 01:44 $ 0.17 USD
03 Musical Acorns: the outline of melody; the shape of a question 00:42 $ 0.07 USD
04 The 'question' in the 'Pastoral' repeated... 00:04 $ 0.01 USD
05 ...and answered 00:12 $ 0.02 USD
06 The opening phrase ends on a note full of pregnant expectation 00:19 $ 0.03 USD
07 Starting with a stop 00:36 $ 0.06 USD
08 The rhythmic profile of the opening phrase; a two-part construction 00:52 $ 0.09 USD
09 Phrase One, Part One 00:09 $ 0.02 USD
10 Phrase One, Part Two 00:06 $ 0.01 USD
11 The properties of rhythmic ambiguity; the 'question' of Phrase One answered 01:03 $ 0.11 USD
12 Phrase Two: from meander to march 00:27 $ 0.05 USD
13 The makings of a conversation: contrast and variation 00:47 $ 0.08 USD
14 Repetition as a major factor, but it's never mere repetition; each time something new is added 00:33 $ 0.06 USD
15 From soft to loud and back again; instrumental enrichment from horns and double-basses 00:18 $ 0.03 USD
16 Mega-repetition: violins play exactly the same little fragment ten times in a row 00:29 $ 0.05 USD
17 But no two repetitions are quite the same; varieties of contrast 00:34 $ 0.06 USD
18 More variation: pitch rises; violins joined frist by the clarinet, then by the oboe 00:19 $ 0.03 USD
19 Return to opening idea, but with new instrumentation and articulation 00:25 $ 0.04 USD
20 Clarinets, horns, bassoons and flutes now join expansive variation 00:49 $ 0.08 USD
21 'New' insistent rhythm derived from the first four notes of the piece 00:09 $ 0.02 USD
22 With the dawn chorus, a whole forest is waking up; feelings of rapture 00:36 $ 0.06 USD
23 First violins play a derivative of the opening figure, joined by wind and strings 00:32 $ 0.05 USD
24 Sudden change of key, from the home key (tonic) to the dominant 00:30 $ 0.05 USD
25 Arrival at the hightly contrasting second main theme 00:55 $ 0.09 USD
26 Unusual properties of second main theme 02:15 $ 0.23 USD
27 Rhythmic clash between simultaneous groups of three beats and groups of two 01:09 $ 0.12 USD
28 winds fall selent as the violins and violas interrupt with a new theme 00:30 $ 0.05 USD
29 Winds answer with the same morse-like rhythm but at half the speed 00:51 $ 0.09 USD
30 Crescendo leads to strings' acceleration of the pace with no increase in tempo 01:05 $ 0.11 USD
31 Beginning of coda, directly based on morse-like rhythm of the main theme 00:22 $ 0.04 USD
32 Strings reiterate small fragment of the new theme 13 times in a row 00:48 $ 0.08 USD
33 A simple, rising violin phrase leads to a repeat of the Exposition 00:18 $ 0.03 USD
34 The nature and function of the Development section in sonata form; 'harmonic' rhythm explained 02:22 $ 0.24 USD
35 The nature of harmonic rhythm illustrated 00:35 $ 0.06 USD
36 A typically Beethovenian exercise in the frustration of expectation 00:38 $ 0.06 USD
37 Repetitiousness and magic effected largely through instrumental colour 00:42 $ 0.07 USD
38 Then come four, almost identical bars 00:08 $ 0.01 USD
39 Even greater magic, with sudden switch of key and tone colour 00:28 $ 0.05 USD
40 Entire Development section up to this point 01:55 $ 0.19 USD
41 The Development continued 01:23 $ 0.14 USD
42 Increased unease and suspense as harmonic rhythm accelerates 02:03 $ 0.21 USD
43 Arrival at the point of Recapitulation; back to the beginning, as a reminder 01:50 $ 0.18 USD
44 Beginning of Recapitulation 00:50 $ 0.08 USD
45 More Beethovenian frustrations of expectations which he himself has just set up 01:01 $ 0.10 USD
46 Harmonic rhythm speeds up, giving the impression of an accent on every beat 00:34 $ 0.06 USD
47 Prevailing mood restored; new theme from clarinets and bassoons 00:28 $ 0.05 USD
48 Violins and violas take up theme; horns, cellos, double-basses accompany 00:48 $ 0.08 USD
49 A hush falls, followed by a return of the movement's most familiar tag in strings 00:58 $ 0.10 USD
50 Clarinet takes up the running triplet figures of the main closing theme 00:32 $ 0.05 USD
51 First violins take up the opening phrase again, accompanied by double-basses 00:37 $ 0.06 USD
52 Beethoven slips in one last surprise; cue to complete movement 00:59 $ 0.10 USD
53 First movement (complete) 11:01 $ 1.10 USD Composer: Siepmann, Jeremy, Beethoven, Ludwig van Second Movement: Scene by the Brook 38:09
54 General introduction; the birth of a melody 01:59 $ 0.20 USD
55 Brook music quickens; syncopated horns; theme changes hands; evocation of birdsong 01:19 $ 0.13 USD
56 The 'motto' theme introduced by violins and treated to round-like overlappings 00:52 $ 0.09 USD
57 Transitional 'bridge' theme sets off for new key group. But is it? And does it? 00:39 $ 0.07 USD
58 Will he, or won't he? Beethoven keeps us guessing 01:09 $ 0.12 USD
59 The run-up to the Second Group 01:14 $ 0.12 USD
60 Arrival at the Second Group; but where is the actual Second Subject? 00:39 $ 0.07 USD
61 A new tune is introduced by the bassoon 00:38 $ 0.06 USD
62 Tune is repeated three times 01:00 $ 0.10 USD
63 ...which the full orchestra now takes up in varied form 00:45 $ 0.08 USD
64 Theme carried by flutes and first violins in a charmingly waltz-like development 00:48 $ 0.08 USD
65 A reminder of precedent 00:14 $ 0.02 USD
66 Back to the prevailing triple-metre with violins, bassoons and flutes 00:16 $ 0.03 USD
67 Another reminder of precedent... 00:16 $ 0.03 USD
68 ...and a cue to some unexpected departures 00:38 $ 0.06 USD
69 The transformational magic of Beethoven's 'tone-painting' - and a new varation 00:50 $ 0.08 USD
70 Conversation of clarinet, flute and oboe on the way to the Development 00:43 $ 0.07 USD
71 Harmonic movement emphasised by violins; oboe takes up the First Subject 00:38 $ 0.06 USD
72 Flute and oboe discuss the First Subject, before arriving together at the Transition 01:04 $ 0.11 USD
73 Gains in volume and intensity lead to a new key-change 00:47 $ 0.08 USD
74 More thematic transformation through the agency of tone-colour 01:11 $ 0.12 USD
75 Harmonic fluideity - instability - as the central engine of the Development section 01:40 $ 0.17 USD
76 Harmonic instability, thematic dissolution increase, then lessen with approach of Recapitulation 01:41 $ 0.17 USD
77 Recap. and transformation: key and material are right, but what a change of presentation! 01:29 $ 0.15 USD
78 Just when we know what's coming, Beethoven changes the rules (or at least the harmony) 00:53 $ 0.09 USD
79 Transformation by reorchestration; switch to long sustained chords; then everything stops 01:20 $ 0.13 USD
80 The silence is broken by voices of nightingale (flute), quail (oboe) and cuckoo (clarinet) 00:40 $ 0.07 USD
81 First violins bring back motto theme 00:12 $ 0.02 USD
82 Cue to complete movement on CD 2 00:32 $ 0.05 USD